He taught him everything, encouraged and
consoled him. The man was on the point of dying in despair.
Death was an
abyss to him. As he stood trembling on its mournful brink, he recoiled with
horror. He was not sufficiently ignorant to be absolutely indifferent. His
condemnation, which had been a profound shock, had, in a manner, broken
through, here and there, that wall which separates us from the mystery of
things, and which we call life.
He gazed
incessantly beyond this world through these fatal breaches, and beheld only
darkness.
The Bishop
made him see light.
On the
following day, when they came to fetch the unhappy wretch, the Bishop was still
there.
He followed
him, and exhibited himself to the eyes of the crowd in his purple camail and
with his episcopal cross upon his neck, side by side with the criminal bound
with cords.
He mounted
the tumbril with him, he mounted the scaffold with him. The sufferer, who had
been so gloomy and cast down on the preceding day, was radiant.
He felt that
his soul was reconciled, and he hoped in God.
The Bishop
embraced him, and at the moment when the knife was about to fall, he said to
him:
"God
raises from the dead him whom man slays; he whom his brothers have rejected
finds his Father once more.
Pray,
believe, enter into life:
the Father
is there." When he descended from the scaffold, there was something in his
look which made the people draw aside to let him pass.
They did not
know which was most worthy of admiration, his pallor or his serenity. On his
return to the humble dwelling, which he designated, with a smile, as his
palace, he said to his sister, "I have just officiated pontifically."
Since the
most sublime things are often those which are the least understood, there were
people in the town who said, when commenting on this conduct of the Bishop,
"It is affectation."
This,
however, was a remark which was confined to the drawing-rooms. The populace,
which perceives no jest in holy deeds, was touched, and admired him.
As for the
Bishop, it was a shock to him to have beheld the guillotine, and it was a long
time before he recovered from it.
In fact,
when the scaffold is there, all erected and prepared, it has something about it
which produces hallucination. One may feel a certain indifference to the death
penalty, one may refrain from pronouncing upon it, from saying yes or no, so
long as one has not seen a guillotine with one's own eyes: but if one
encounters one of them, the shock is violent; one is forced to decide, and to
take part for or against. Some admire it, like de Maistre; others execrate it,
like Beccaria. The guillotine is the concretion of the law; it is called
vindicte; it is not neutral, and it does not permit you to remain neutral. He
who sees it shivers with the most mysterious of shivers. All social problems
erect their interrogation point around this chopping-knife. The scaffold is a
vision.
The scaffold
is not a piece of carpentry; the scaffold is not a machine; the scaffold is not
an inert bit of mechanism constructed of wood, iron and cords.
It seems as
though it were a being, possessed of I know not what sombre initiative; one
would say that this piece of carpenter's work saw, that this machine heard,
that this mechanism understood, that this wood, this iron, and these cords were
possessed of will. In the frightful meditation into which its presence casts
the soul the scaffold appears in terrible guise, and as though taking part in
what is going on.
The scaffold is the
accomplice of the executioner; it devours, it eats flesh, it drinks blood; the
scaffold is a sort of monster fabricated by the judge and the carpenter, a
spectre which seems to live with a horrible vitality composed of all the death
which it has inflicted.
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